Born in 1950 in Yangon, Hlaing Bwa has been a full-time artist since he studied under the old master U Thein Han in the 1970’s. His bold brush strokes and creative color schemes are reminiscent of the European Impressionist style. Monet is Hlaing Bwa’s inspiration. His motifs portray a tranquil Myanmar: the scenic Bagan, colourful Shan State, vibrant market places and lone ladies lost in the moment.
Hlaing Bwa always paints his family and neighbours. So, his wife, sister-in-law and nieces are often subjects. When his nieces were young, he painted series of children. As his little nieces grew up, he started painting young ladies in a room with flowers, which has become Hlaing Bwa’s most recent signature motif.
His work is illustrated in Myanmar Painting: From Worship to Self-Imaging (2006) and mentioned in Burmese Painting: A Linear and Lateral History (2009).
“Hlaing Bwa’s figure studies are rich in colour and with innovative compositions. His paintings have a dreamlike and poetic content even as they are visually strong.”
- Khin Maung Nyunt et al, Myanmar Painting:
From Worship to Self Imaging, page 155
INTERNATIONAL EXHIBITIONS
1981 Art Show, China
1990 Group Show, Canberra, Australia
1995 Myanmar Fair, Parco Bugis Junction, Singapore
'Burmese Days', Bangkok, Thailand
2003 Art Asia, New York City, USA
2004-07 Hawthorn Gallery, New York, USA
2007 'Poetry on Canvas', Art Centre, New Jersey, USA
'Indochine Beauty', Jakarta, Indonesia
ArtAsiaNYC, New York, USA
Theological Seminary, Princeton, New Jersey, USA
2008 ArtAsiaNYC, New York, USA
2010 LaMaMa Galleria, New York, USA
2012 ArtAsiaNYC, New York, USA
LOCAL EXHIBITIONS
1979 Gardener Village Art Show, Yangon
1980 Gangaw Village Art Show, Yangon
Since 1987 GV Group Show, Yangon
1989 Art and Artisans’ Council Art Show, Yangon
PUBLICATIONS
Myanmar Painting: From Worship to Self Imaging, Pg 82, 83 & 155
Burmese Painting, A Linear and Lateral History, Pg 281 & 315
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